Anticto’s Character Configuration System provides a completely flexible mesh customization system for UE4, with no pre-determined meshes, skeletons, textures or morphs that force you into a particular template, look or functionality. You can create the customizable mesh or character you want (doesn’t even have to be a biped or an animal for that matter, you could even make customizable trees or objects) with the control parameters and degrees of freedom you want, and Anticto’s Character Configuration System will create a standard and efficient UE4 skeletal mesh for you to use. These skeletal meshes can either be created in realtime in-game, or can be baked into standard assets during production in the UE4 editor. This enables you to use Anticto’s Character Configuration System as another powerful art pipeline tool.

Customizable characters are developed with the Anticto’s Character Configuration System graph editor, which is completely integrated into the UE4 editor and very comparable to UE4’s own material editor. Anticto’s Character Configuration System has both a C++ and Blueprint API to control the character customization in-game.

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No. Anticto’s Character Configuration System is not a character library and you will still need artists to create assets for your game. Anticto’s Character Configuration System will let you decide how this assets are combined into the final optimised game characters, and create parameters to customize them.

Yes, in fact at least two of them. All our own customizable characters seen in the promotional videos and website, cyborg and bandit, are available to Anticto’s Character Configuration System users for them to study and modify.

The point is to give the developer maximum flexibility with no pre-defined templates, and to let non-programmers design and implement complex customizable characters.

The graph is a base object node, where children objects can be hierarchically attached. All these objects can implement a mesh and material, be switched, cut, extended or have their materials transformed by other nodes.

Yes. Anticto’s Character Configuration System can handle any number and type of materials and textures. It doesn’t have any hardcoded features for “colour”, “normal”, “metallic” or any material property.

Anticto’s Character Configuration System creates standard UE4 skeletal meshes and textures. Once they have been created, they technically the same as assets created by artists and can even be baked to UE4 assets and exported to projects that do not use Anticto’s Character Configuration System.

Anticto’s Character Configuration System does not have a pre-defined skeleton. The developer sets a reference mesh with an arbitrary reference UE4 skeleton in the Anticto’s Character Configuration System graph, and then it will generate characters with the provided reference skeleton structure. Just use your own skeleton, and create humanoids, animals, robots or objects.

No. Anticto’s Character Configuration System only builds meshes and textures for your static or skeletal objects, it doesn’t modify animations. Anticto’s Character Configuration System generates a standard UE4 skeletal mesh with a standard UE4 skeleton so that you can use the full UE4 animation system.

yes, Mutable provide a built-in out-of-the-box system to generate crowds.  its customization features combined with LOD support is used to easily create populations.

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Anticto’s Character Configuration System just generates standard UE4 meshes with UE4 skeletons, so if these systems work with regular UE4 assets, they should work with assets generated by Mutable.

There’s no hard-coded limit in Anticto’s Character Configuration System. In fact, since it generates standard UE4 meshes that aren’t different from meshes directly created by artists, it can generate as many as your target system will support depending on how costly your characters are (polygon count, texture resolution, etc). There are production games using Anticto’s Character Configuration System with 100+ characters. In our own experience, the limiting factor for UE4 is the animation cost rather than memory or rendering costs.

The answer is that you can set it up as you wish. You can have a fixed atlas used by all character variations, or you can have a variable atlas that will change as you put on or remove clothing parts to/from the character in-game. It’s even possible to have different atlases/materials for different kinds of character parts (one atlas for body, another for jackets, another for helmets, etc).

Finally, it’s possible not to have an atlas at all, and make all character parts use their own independent pre-defined layouts, textures and materials, which makes sense for some kinds of games.

Decals can be baked into textures during production or can be set and updated in realtime. Artists can use it in their art pipeline to create and bake interesting textures, or players can change the position of decals and tattoos in realtime in-game. For realtime editing, it’s recommended that Mutable’s “State” functionality is used, so that only the decal is updated in realtime and the rest of the character is not.

The decal system will project over a Material channel or channels chosen by the developer, so there aren’t many limitations to what can be achieved. Just connect projection nodes to the Material channels over which you desire to project. The only limitations may be organizational, for instance, if you want a single projector to affect any switchable part, all these switchable parts must be children of a single “group” node.

Anticto’s Character Configuration System does not provide any additional dynamic system on top of what UE4 provides. Some UE4 hair and cloth systems are supported (see other questions in this FAQ).

No, it does not. Since it uses extra data/assets for hair grooming external to the skeletal mesh, they will not be collected by Anticto’s Character Configuration System and carried over to the final generated skeletal mesh. Artists could add the grooms to meshes baked by Mutable in production with no problems, but meshes generated in-game by Anticto’s Character Configuration System would not get the grooms.

It is possible that a programmer could make a function to manually copy the desired groom and attach it to a Anticto’s Character Configuration System-generated mesh in-game. The binding would have to be computed by the UE4 system in realtime and might hitch as explained by the UE4 documentation which may or may not matter in your project depending on when you actually create the characters. We have not tested it ourselves so we cannot say whether this approach has any issues.

There is the possibility that in the future this feature could be integrated and be supported by Mutable for a more streamlined and transparent pipeline, just as we have done in the past with the cloth simulation and GPU morph systems that also had extra data. If our users are particularly interested in this feature we may decide to give it a higher priority.

Yes, Anticto’s Character Configuration System can the read morphs present in the source UE4 Skeletal Meshes. Then it’s up to the developer to choose whether to bake them into the created meshes (to have zero realtime cost for the morphs) or leave them as standard UE4 GPU morphs (for realtime animation).

Yes, morphs and normal map texture operations can be used to achieve that effect. In fact it’s used in the “Cyborg” promotional videos.

Yes, Anticto’s Character Configuration System has always supported bone-based animation, and now that it supports realtime morphs it supports facial animation based on morphs.

There are several cloth animation systems in Unreal Engine, as far as we know:

• There is a new cloth system in Unreal Engine since 4.19 (Clothing Tool) which is supported from Anticto’s Character Configuration System 1.3 and above.

• nVidia Apex cloth: Anticto’s Character Configuration System does not support it, and it will not support it. This is a method that we believe it is being phased out, and it uses opaque data in binary blobs that we cannot interact with.

• Anim Dynamics: This is the method used by Epic in Paragon. It relies on bones to deform the meshes, so it is supported without any special requirement. See https://www.youtube.com/watch?v=5h5CvZEBBWo for an overview of anim dynamics by Epic.

Yes, it does.

By default Anticto’s Character Configuration System doesn’t touch it, but you can activate a flag to make it automatically use the body asset of the reference mesh in the root Customizable Object. Just call UCustomizableObjectInstance::SetReplacePhysicsAssets(true). Alternatively you can use the “Physics Asset Override” property in the skeletal mesh component.

No, it doesn’t have any hair-specific functionality. Since Anticto’s Character Configuration System uses and produces standard UE4 meshes, materials and textures, any hair effect that you can do in standard UE4 you should be able to integrate into Anticto’s Character Configuration System characters.

Anticto’s Character Configuration System respects the skeletons it is provided as reference, so it will maintain UE4 anim dynamics bones which can be used to have physically simulated ponytails.

Anticto’s Character Configuration System morphs, baked or real-time, have the same limitations any Unreal Engine morph target would have. One of the limitations one can find when using morph targets with skeletal meshes is that skinning may break. Since bones are not affected by morph targets, after the morph is applied, vertices in the mesh could end up in a position where the bones aren’t correct and cause unwanted deformations. Changing the height of a character using morph targets is a case where this limitation will probably be encountered, so its use is discouraged. A better option, given the use case, would be to use Bone transforms (https://docs.unrealengine.com/en-US/AnimatingObjects/SkeletalMeshAnimation/NodeReference/SkeletalControls/TransformBone/index.html) which is an operation fully supported by skeletal meshes generated by Anticto’s Character Configuration System.

All the data Anticto’s Character Configuration System generates after a successful compilation of all the customizable objects in the game (typically a few hundred MBs for a complete game, which are streamed and cached in-game) is stored in a number of files in a folder inside the game project. Both the folder and the number of files can be easily changed via some configuration options. These options let the developer specify how big the files can be, so if the dev sets a really high limit, all the data will be stored in a single big file which will be modified after each content update.

Conversely, a very low size limit will pack every single object in its own small file. This will generate a ton of files, but will handle content updates more gracefully, modifying only the files that have really changed. UE4’s own pak system will take on from here, with the possibility of packaging all the Anticto’s Character Configuration System files in a single pack file, splitting them into several pak files or even not putting them in a pak file at all.

Anticto’s Character Configuration System will output error messages to the message/output log during editor sessions or in-game. In the graph editor it will also highlight nodes that have problems.

During a Anticto’s Character Configuration System editor session, apart from being able to see the results in realtime in the preview viewport, below the current preview instance properties you will find a hyperlinked thumbnail of the skeletal mesh currently displayed in the preview viewport. You can double-click on it and a UE4 skeletal mesh editor window with this skeletal mesh will open, where it is possible to inspect the meshes, materials, texture layouts and textures used by the meshes.

With a combination of texture blending plus a morph. Look at the bandit sample project, the arm bandages are an example of skin-tight clothing parts.